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David Bordwell’s new book is at once a history of film criticism, an analysis of how critics interpret film, and a proposal for an alternative program for film studies. It is an anatomy of film criticism meant to reset the agenda for film scholarship. As such Making Meaning should be a landmark book, a focus for debate from which future film study will evolve. Bordwell systematically maps different strategies for interpreting films and making meaning, illustrating his points with a vast array of examples from Western film criticism. Following an introductory chapter that sets out the terms and scope of the argument, Bordwell goes on to show how critical institutions constrain and contain the very practices they promote, and how the interpretation of texts has become a central preoccupation of the humanities. He gives lucid accounts of the development of film criticism in France, Britain, and the United States since World War II; analyzes this development through two important types of criticism, thematic-explicatory and symptomatic; and shows that both types, usually seen as antithetical, in fact have much in common. These diverse and even warring schools of criticism share conventional, rhetorical, and problem-solving techniques—a point that has broad-ranging implications for the way critics practice their art. The book concludes with a survey of the alternatives to criticism based on interpretation and, finally, with the proposal that a historical poetics of cinema offers the most fruitful framework for film analysis.

791.45.072 --- #SBIB:309H522 --- #SBIB:309H523 --- Motion picture criticism --- Moving-picture criticism --- Filmrecensenten, filmcritici, filmcensuur --- Audiovisuele communicatie: kritiek --- Audiovisuele communicatie: verhaalanalyse --- 791.45.072 Filmrecensenten, filmcritici, filmcensuur --- 791.43 --- #SBIB:309H527 --- Film criticism --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- 791.43 Filmkunst. Films. Cinema --- Filmkunst. Films. Cinema --- Audiovisuele communicatie: retoriek --- History and criticism --- Criticism --- Audio-visual materials --- Mass media --- Performing arts --- Evaluation --- Film --- Film criticism. --- Motion pictures. --- Critique cinématographique --- Cinéma --- CDL --- 791.41

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Bibliografie : p. 211-217 Met reg. Gesteld wordt, dat het kijken naar beelden (en naar audiovisuele beelden in het bijzonder) een vorm van denken is, en dat er met het maken en bekijken van dergelijke beelden diverse vormen van verbeeldend denken zijn gemoeid. Centrale vraag hierbij is, hoe mentale processen als ergens aan denken, iets bedenken of beoordelen door een cineast worden verbeeld en hoe de kijker deze gedachten weet 'af te lezen' uit de bekeken en beluisterde beelden. Aanzet tot een algemene theorie over fotos̕, film- en televisiebeelden.

beeldcultuur --- film --- visuele communicatie --- Film --- film [performing arts] --- Literary semiotics --- Films --- Films cinématographiques --- 316.77 --- 159.955 --- 161/162 --- 316.73 --- 379.823 --- 659.3 --- 798.2 --- Beeldcultuur --- Communicatiesociologie --- Experimentele psychologie --- denken, begripsvorming en problem solving --- denken, begripsvorming en problem solving. --- 316.77 Communicatiesociologie --- Denken, begripsvorming en problem solving. --- film [discipline] --- Cinéma --- Literary semiotics. --- Motion pictures --- beeldcultuur. --- film performing arts. --- film. --- visuele communicatie. --- Aspect social. --- Philosophy. --- Social aspects.

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Provides scientific reflection of cinematography.

Motion pictures --- Motion pictures. --- Czechoslovakia. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Č.S.R. --- C.S.R.S. --- Č.S.S.R. --- Cecoslovacchia --- Ceho-Slovacia --- Čehoslovakija --- Česká a Slovenská Federatívna Republika --- Česká a Slovenská Federativní Republika --- Češkoslovaška --- Československa republika --- Československá socialistická republika --- Československo --- Checoslovaquia --- Chekhoslovakii︠a︡ --- Chekhoslovat︠s︡kai︠a︡ Sot︠s︡ialisticheskai︠a︡ Respublika --- Chieh-kʻo-ssu-lo-fa-kʻo --- Chieh-kʻo-ssu-lo-fa-kʻo she hui chu i kung ho kuo --- ChSFR --- ChSSR --- Cseh-Szlovákia --- Csehszlovákia --- ČSFR --- ČSR --- CSRS --- ČSSR --- Czech and Slovak Federal Republic --- Czecho-Slovakia --- Czechoslovak Socialist Republic --- Czechosłowacja --- Republika československa --- Tchécoslovaquie --- Tschechische Sozialistische Republik --- Tschechoslowakei --- Tsechoslobakia --- Tsechoslovakia --- Ts'ekhoslovaḳyah --- Tshīkūslūfākiyā --- Tsjechoslowakije --- Tsjekkoslovakia --- Czech Republic --- Slovakia --- Cinematography. --- Czechoslovakia